be-steele's latest sounds
The source material for this abstract soundscape was a metallic bell sound, processed with granular synthesis and other indignities.
An ambient soundscape generated with processed field recordings of waves and wind mixed with synthesized sounds.
An overtone rich fragment of phased spectral material, told by an idiot, signifying nothing. (Sound and fury to follow)
A gently evolving, tonal soundscape with many overtones, synthesized in Poseidon, recorded live to disk in Logic.
A low, evolving drone with a minor second motif, synthesized in Zebra and Massive
A resonant, metallic fragment with many overtones, synthesized from bell tones.
This soundscape has its origin in struck metal tones, bell tones, and wind chime samples. The resulting sounds have been ...
An undulating soundscape with rhythmic creaks and subdued metallic resonance, derived from manipulated field recordings and bell sounds.
A slow, melodic, background soundscape derived from various field recordings.
A slowly evolving, abstract soundscape, derived from field recordings and resonant, metallic sounds.
An evolving, resonant drone, derived from bowed water phone and resonant wine-glass sounds. Processed with granular synthesis and edited in ...
An evolving, resonant drone, derived from a bowed water phone and resonating wine-glass, processed granularly and in the spectral domain.
A slowly evolving, resonant, metallic drone, derived from recordings of struck metal pipes, processed with granular synthesis and time stretching.
Recorded during a nightmare inside an enormous piano whose detuned strings were scraped and struck and resonating with ominous tension, ...
Samples of a prepared piano recorded live to disk in Logic with electronic processing, subsequently edited in BIAS Peak.